THE IRISH TIMES - "Pieces of Me"

Thank you so much to Deirdre McQuillan at the Irish Times for this lovely piece about our home.

Kojii-helnwein-Irish Times- Pieces-of-Me_MG_4442_sml.jpg

At home in an Irish castle

with Kojii Helnwein

The model turned actor on her favourite things: a bedside table and her beloved motorcycle

Sat, Sep 23, 2017, ORIGINAL ARTICLE HERE

Deirdre McQuillan

Actress, singer and songwriter Kojii Helnwein was born and raised in Tallaght but now lives in a castle in Tipperary with her fine art photographer husband, Cyril Helnwein and their three children. The daughter of Enda Wyatt, co-founder of Irish rock band An Emotional Fish, she has had a lifelong affair with music and the arts. Having studied technical stage and production, she worked as a freelance stage manager in Irish theatres for four years, then briefly with a circus in Paris before moving to Los Angeles and beginning a career in modelling and acting. She has walked for designers such as Jimmy Choo and Prada, appeared in countless magazines including Vogue, Cosmopolitan, Elle and Marie Claire and on TV on Project Runway and Models of the Runway. She and Cyril are hosting a charity motorcycle run [The Distinguished Gentleman's Ride] in Tipperary for Movember tomorrow, Sunday, September 24th.

Describe your interiors style:

KH: Living in a castle from the 1800s it is kind of hard to do anything modern here, so everything is very vintage, bohemian, simple and organic. Textures and lighting are very important for me and I love natural fabrics like linen and fresh cotton. I like to bring the outside in, so there are a lot of wooden floors, cabinets and counter-tops. I don’t like anything plastic. Moroccan interiors are my ideal style and I love Dar Sol, the Irish store founded by Daniel Holfeld, the photographer who has sourced wonderful handmade items from Morocco.

What room do you most enjoy?

KH: It used to be the kitchen, but now it is our new little guest room which we call the "Tree House". It is actually an attic room that was renovated: it’s a little triangular room at the top of the house with only a bed, a Moroccan carpet and a shelf with a lot of art books and vintage cameras. It gets all the daylight and is the only room in the house where people don’t go looking for me. I have three kids so it is a nice place to meditate or play my guitar and no one ever finds me there so it is lovely.

What items do you love most?

KH: I love the bath shelf that my husband Cyril made for me – he is very handy with woodwork – from reclaimed wood from our property. It holds a wine glass, a book or an iPad. My Royal Enfield Classic 500 [motorcycle] is my pride and joy; I bought it in Adare in Limerick last March. [Royal Enfield Ireland]. Other items would be a hand-carved closet which came with the castle with beautiful leaves and creatures – it is stunning. And a bedside table that my 11-year-old daughter made from tree trunks and twine. It is so natural, beautiful and simple.

Who are your favourite designers?

KH: I am not interested in current designers mainly because modern furniture design doesn’t fit into the house, so I go to flea markets, auction houses, thrift and vintage stores. I search for things that have an older style of craftsmanship. And most of my clothing is vintage too.

What artists do you admire?

KH: I am fortunate to be surrounded by artists, so obviously my husband is my favourite artist especially his latest series of Polaroid prints called Lost Garden. He shot it in our own arboretum and made all the frames from reclaimed wood. My father-in-law’s hyper realism [the Austrian artist Gottfried Helnwein] floors me – he can capture the essence of a person so well. I also admire the London-based New Zealand artist Justin Russell. He was based in Dublin for many years as a tattoo artist and tattooed my husband, he is another hyper realist, super-talented with a great depth to his art.

Biggest interior turn off?

KH: Low ceilings, clutter, shiny modern surfaces, bad lighting, black shiny 1980s-style kitchens, black leather couches and lino.

Destination that stands out?

KH: Joshua Tree, out in the desert. It was the first place we went to after my daughter was born – she was born at home in our loft in Los Angeles and was just three days-old when we left. My family had been over from Ireland for the birth which was five days before Christmas. DTLA is high rise, smog, noise and dirt and we wanted to get out of it into wide open spaces. My dad had shot a music video in Joshua Tree and suggested the idea, so we rented a huge Ford Expedition and shot off.

If you had €100,000 to spend on anything for the home, what would that be?

KH: Oh my God, living in a house that is constantly under restoration, I would renovate an attic space above our wing so we would have extra bright spaces. If there was anything left, I would build a small climate-controlled shed for the motorcycles.

kojiihelnwein.com, cyrilhelnwein.com

all photos ©Kojii Helnwein 2017

IN MY OWN WORDS: interview with One Film Fan

Recently I had the honour of being featured on ONE FILM FAN'S website where I talked about my start in the industry, my drive to keep going and a lot more. Thank you so much to Kirk S. Fernwood for this awesome interview.

To see the ORIGINAL ARTICLE please Click HERE

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IN THEIR OWN WORDS:

Actress Kojii Helnwein

 of "Radha"

by Kirk S. Fernwood, 22 Jul 2017   | ORIGINAL ARTICLE HERE

Diversity. It’s the driving force found within the community of artists that represent and put forth the amazingly human cinema that is independent film-making. Frankly, in my experience, all of these individuals, no matter what facet of the industry they are involved in, have a passion and fortitude to succeed that would rival even the most successful Hollywood denizens, if not even more so on many, many levels. For these people, the real, down-to-earth art of making a motion picture resounds within their very beings, and the results speak for themselves. Such is the case with our next special guest who was willing to take the time to share about her prolific and highly varied road into acting.

Heralding from the Emerald Isle, aka: Ireland, this Dublin-born actress has truly exemplified perseverance and embracing change, demonstrating a fervor to dive into whatever opportunity arose for her, yet did so with a focus and desire to excel in what would become a myriad of fields and talents.  Culminating in her current profession of acting, the roles she chooses are as varied and nuanced as her skillsets, and the payoffs are only just starting to reveal a superstar in the making. Championing independent film while still finding the time to indulge in other creative hobbies, there’s no denying the appeal and charismatic charm displayed by the Irish angel known as Kojii Helnwein.

 

One Film Fan: Here we have a bonnie Irish lass named Kojii Helnwein.  First off, tell us a little about who this talented young woman is and what initially drew you into the entertainment industry overall.

Kojii Helnwein: I was born in Dublin to a holistic healer Mama and touring, songwriting Papa. My parents are a very creative and artistic pair. When I was a child, my Mum was always painting, crafting something, or encouraging my brother and I to create a work of art. My Dad could usually be found with guitar in hand, plucking away at a new song idea or writing poetry at his typewriter.

For much of my childhood he toured around the world with his rock band, An Emotional Fish. I was fascinated by everything involved from his songwriting, to laying down the tracks in the studio, the rehearsal process, to getting on stage; I was in awe. I hounded my Dad to take me everywhere with him. I loved going to his concerts early to see the sound check and watch the crew set-up or snooping around backstage to learn how the venues worked.

O.F.F.: How did you further learn the arts (ie: mentors, influences, and schooling)?

K.H.: I lived in Los Angeles for a time where I worked as a fashion model. I considered it my day job and never expected to have the successes that I experienced.

In Los Angeles it’s quite normal for Casting Directors to seek out “model-types who act”. I was very fortunate to have Jami Wrenn as my agent who has believed in me from day 1. She consistently submitted me for work I never thought I was capable of.

I’m naturally a shy creature and didn’t want to let her down with these huge film and TV auditions that she was submitting me to, so I signed myself up to classes at the Acting Centre in L.A.. After my first class, I had caught the acting bug. I’ve been hooked ever since and studied everywhere I could.

I’m not sure I’ll ever be feel I’ve learned enough. I treat classes and workshops like going to the gym. I’ve had the pleasure of training with so many incredible mentors, especially in Ireland, such as David Scott and Terry McMahon at The IFA Dublin, Gerry Grennel at Bow St in Dublin. I even tried my hand at sitcom comedy with the Actors Comedy Studio L.A..

  

O.F.F.: In reading your bio, it gives us a picture of one multi-talented individual! Talk a little about your modeling days first.           

K.H.: I started modeling later than most. I was 20 years old when a friend secretly sent my photos to the top modeling agency in Ireland. I still don’t know who sent them. The day after I met that agent, I was on the runway for a top Irish Designer (John Rocha), where I met a lot of people in the fashion industry. After that show I was booked solid for the following year so I never really had time to decide if I wanted to become a model or not. In those days I had been working as a freelance Stage Manager working long, hard hours in Theatres all around Ireland.

When I discovered my modelling work paid me more in 1 day than I earned in a week as an SM, I was sold on the career change. I honestly thought it would be something I would work at for a year to fund my music equipment. However, the work kept coming in, the travel opportunities more exciting and 10 years later I finally decided it was time to leave the fashion world behind me. I could no longer pretend that the industry interested me.

O.F.F.: It also lists you as a singer/songwriter as well!  How about a little sharing about that aspect of who you are and how you’ve utilized it.

K.H.: I often joke that music is the “Family Business”. Music was like language in our house growing up. I would spend hours in my room writing music on my guitar, composing on the piano, I even trained to become an Opera singer at one time.

When I was 13 I found myself in a venue in Dublin City and jokingly quipped with a staff member that I wanted a gig. Ten minutes later the owner of the venue found me and told me to show up a few days later for a lunchtime gig. I didn’t even have a band! I partnered with my best friend asap and taught her to sing some of my songs. That gig turned into an evening show and then we had weekly spots around various Irish venues all throughout our teens.

I have had various bands and musical endeavors over the years. The addictive part of making music for me is the communication between a group of people. I love the close knit connection one can have with other musicians when you are lost in the music together. It’s transcendental.

 

O.F.F.: You’ve even dealt in your own personal photography, which has been published, is that correct?

K.H.: Yes. I have a huge love of vintage cameras and film photography. I have a collection of beautiful vintage cameras that I found in various places around the world. I started taking photographs when I was a teenager, mostly of people around the venues I played or in the streets of Dublin as we roamed from gig to gig around the city. I used to spend my Saturday mornings in a dark room in the company of a giant pot of coffee and a raw voice from a night of singing and taking photos.

In the last few years I have taken to using the camera to process my acting roles. I found myself lost in the role of Hamlet’s Ophelia. Production of the feature film was a little delayed so shooting self portraits as Ophelia with certain moments of hers in mind helped me to keep the character alive in the down time.

It was at this time that Kai’outi Magazine asked me to shoot a series for them on a particular theme. I showed them a few of the Ophelia images I had already taken and they asked me to continue. In time they published a very nice interview along with all of the photos I had taken for The Ophelia Series to date. Since then I have exhibited three of the photos with a group of artists in Ireland and have a full solo show in the works that will include a short film and music I composed.

 

O.F.F.: Acting, though, is our ultimate focus here.  What was your first primary acting gig, and how did that shape your desire to pursue it further?

K.H.: I shot a lot of commercials in the USA throughout my years as a model. During this time I had the opportunity to shoot a music video/short film with one of my own personal acting and musical heroes; Juliette Lewis. Working with her was an eye opener. I have a huge amount of respect for her fight to become a respected musician breaking out of the Hollywood life. Most people thought she couldn’t do it but she did it. And boy, did she do it well!

I was so impressed by her strength of character, her honesty, her talent and her integrity as a person. As an added bonus, our co-star was Michael Des Barres. Not only did I love him as Murdock in “MacGyver”, I am also a HUGE fan of his music. His band Silverhead  and their raw 70’s sound was the soundtrack to many of my adventures.  These two heroes of mine gave me so much wonderful advice and encouraged me immensely. How could I not go on?

  

O.F.F.: Given your theater stage management experience as well, would the production side of film—directing, producing, et al—become a facet of the business you’d like to tap into?

K.H.: Most definitely. I started writing a script many years ago that I often return to and swear I will complete it some day soon. However, I have a lot left to learn as an actress before I divert my attentions to even more challenging endeavors. In saying that, I do have a short in the works to accompany my photography series.

O.F.F.: So, onto your current project, the short film “Radha”. What drew you to this film and/or how did the opportunity come about

K.H.: The Director, Nicolas Courdouan, and his producer reached out to my agent. When I read the script the first thing that stood out to me was the predominantly female cast. I had spent frustrating months turning down auditions for characters I thought were weak, had unnecessary nudity, or were written as  just the “Main man’s wife/love interest”. When I read “Radha” my interest was definitely piqued to discover a man had written about two female characters who were people unto themselves.

When I was asked to audition I initially assumed I was going in against a long line of other actresses but when I turned up it was just me. I didn’t realize that Nicholas had the storyboards worked around my photos and already pictured me in the role.

 

O.F.F.: Tell us, without spoilers, about the character, Radha, you play in it. What I personally loved about this effort was that it did such a superb job at only giving the viewer hints to play with as to what Radha truly IS. Was that a facet of this film that appealed to you? Leaving the viewer wanting more?

K.H.: Radha is a supernatural creature with a deep sense of interest in humanity, and she’s incredibly curious when it comes to Sue’s character in the film. Yes! I loved reading the script and filling in the blanks afterwards. I had so many thoughts as to what happens next or who Radha really is. Obviously we work-shopped it all together and I know the truth of her now. “Radha” the short film is an excerpt from a feature length film that Nicolas wrote, so the fact that it leaves people wanting more makes me excited to see the Feature come to fruition.

O.F.F.: The film had a very Neil Jordan-esque “Byzantium” feel for me.  Is this more cerebral/haunting horror style something you gravitate to more as an actress?

K.H.: I do have a penchant for the darker genres. I tend to gravitate toward anything that draws on the deeper side of life though not just horror or supernatural, I am a fan of dark dramas and thrillers also.

O.F.F.: That dance sequence alone was just flat out creepy yet undeniably mesmerizing! What was it like to experience those moments when filming?

 

K.H.: The dance sequence was the one aspect that almost convinced me to turn down the role. I am no dancer. I was terrified that I may have lacked the ability and stamina to pull it off.

Once I met our choreographer, Dagmara Jerzak, all my fears dissipated. We work-shopped the scene, choreographed each movement, and came to understand the character so much in our work throughout a week together that the extras on set assumed I was a trained dancer on the day, which was the most humbling of compliments I could imagine.

O.F.F.: How was it working alongside fellow actors Sue Walsh, Gerry Wade, and the others?  How about with director Nicolas Courdouan?

K.H.: I mostly worked with Sue and Nicolas, both of whom were amazing. Sue brings such a natural sweetness and grace to her roles that is hard to turn away from. Nicolas is incredibly patient and freeing to work with. He has this ability to make actors feel very safe and free to create while still making sure we’re all on the same page.  

O.F.F.: What is currently on the horizon for you film wise?

K.H.: I have recently wrapped filming a couple of projects and I’m currently prepping for my next. I’m not allowed to disclose the titles of any yet, but one was a stunning and emotional Short film shot on the West Coast of Ireland. The other is a Feature Film starring a couple of my favorite actors from the USA. Both are set to be released next year while my next project will hit Irish TV screens in the Fall.

O.F.F.: Independent film is such an incredibly prolific, passionate, story-telling, character-based genre.  How important is it for you as an actress within this medium that indie film get a better level of exposure, promotion, and support from the greater film-going audience around the world?

K.H.: Incredibly important! As much as I love losing myself to a Hollywood blockbuster or superhero flick, I am far more inclined to delve into Independent films. They have an incredibly honest connection with the viewer. Many independent films simply don’t have the budget to create effects that separate the audience from the screen. Some of the best I’ve seen ranged from sixty seconds long to full feature length. The simplicity and ingenuity of the independent filmmaker can create a very personal and raw experience, and these films deserve to be seen by as many people as possible. It can be heartbreaking to see so many talented filmmakers go undiscovered.

O.F.F.: Ok, everyone just LOVES me for this classic closing question—what is YOUR favorite film of all time and WHY?

K.H.: Just ONE!!? I can’t choose just one film.

I will always return to the original “Oldboy” or “Requiem for a Dream”. “Irreversible” was on the top of my list for a long time. I love it when a movie hits me in gut. If I find myself unable to shake the memory or feeling of a movie then I’m hooked on it.

With such a level of enthusiasm, dedication, and striving to constantly grow in her chosen art, much less in nurturing her other hobbies, is it any wonder the doors of chances earned have swung wide open, along with newfound options and as yet to be discovered opportunities, for this consummate actress?  As the film-going public, we can only sit back, take in the wonderful body of work already presented, and then wait with bated breath at what is yet to come, ideally tempered with a sense of excitement and anticipation of what roles, what stories Kojii Helnwein has to provide to us for our enjoyment. She stands as another example of the creative forces residing within indie film, and we can only help by promoting these artists as their films are released, guiding as many eyes to them as we are able.

Like I am always doing without any regret, I would once again like to extend a heartfelt “THANK YOU!!” to Ms. Kojii Helnwein for finding the time in one hectic shooting schedule to entertain this interview for OneFilmFan.com. I do genuinely hope we all look forward in expectation to what comes next for this gifted star of Ireland! From what this reviewer has seen so far, it should be nothing short of wondrous.

As always, this is all for your consideration and comment.  Until next time, thank you for reading!

Kojii Helnwein Vampire by Geoff Moore.jpg

Want to keep tabs on what Kojii is up to next? 

“Follow” Kojii on Twitter: HERE

“Like”/”Follow” Kojii on her Facebook Page: HERE

Check out Kojii’s profile on Castannettenow.com: HERE

“Like”/”Follow” the Facebook Page for “Radha”: HERE

"I never aspired to be a model."

The lovely Syune Arakelyan interviewed me recently for the Armenian News.Am STYLE

"I never aspired to be a model." Kojii Helnwein On Her Career and Participation in Project Runway

CLICK HERE FOR ORIGINAL ARTICLE by Syune Arakelyan January 30, 13:02

The fans of fashion industry have discovered the beautiful model Kojii Helnwein mostly due to the famous TV shows Project Runway and Models Of The Runway.

Kojii was mostly paired with the designer Logan Neitzel. Although she didn’t win the project, she became the model who has admired and inspired a lot of young girls in front of TV.

NEWS.am STYLE has a big surprise for all the fans of Kojii. We did a very interesting interview with her the details of which are presented below:

-Kojii, you were born in the family of a musician. Music has occupied the most part of your childhood I guess… How did you take to modeling?

-My Dad is a musician/songwriter and toured the world with his band for much of my childhood while my Mum, a holistic healer cultivated our interest in the arts from home.

I was 10 years old when I started playing the guitar but I was writing songs with my Dad since I was 4. By the time I was 13, I had formed a band and we performed in venues around Ireland.

I started modeling later than most. I was 20 years old when a friend secretly sent my photos to the top modeling agency in Ireland. The day after I met that agent, I was on the runway for a top Irish Designer (John Rocha), where I met a lot of people in the fashion industry. After that show I was booked solid for the following year so I never really had time to decide if I wanted to become a model or not.

Kojii Helnwein by Brendan Morrissey

Kojii Helnwein by Brendan Morrissey

-You're singing, acting, modeling. Which of these activities is closer to you?

-I am a musician at heart. I feel it is what I was born to do but I love acting. I find it invigorating to step into another person's shoes and experience life as them.

I have never considered myself a model. I approached modeling as a day job, much like one might work in a cafe. It paid the bills and I got to meet and work with a lot of amazing people. I never aspired to be a model but I enjoyed every moment of it.

-Speak about your participation in Project Runway. How that happened?

-We shot that season of Project Runway 10 years ago when I was living in Los Angeles. I had never heard of the show at that time. When I was offered the job I turned it down as I was planning to return to Ireland to see family.

After a few days of talks I was finally convinced to take the job. I had no clue what I was getting myself into and the other girls had to explain each step of the show to me for the first week. I was so engrossed in music and uninterested in the modeling world. To be honest, I didn't even know who Heidi Klum was as I didn't watch TV or read fashion magazines.

Kojii Helnwein by Brendan Morrissey

Kojii Helnwein by Brendan Morrissey

-For TV viewers this project is fun. I wonder, what emotions do the participating models and designers experience during the show?

-I can’t speak for everyone else involved. 10 years have passed but I do recall people missing their families, feeling exhausted by VERY long days of filming. Some days we were woken at 6am with a cameraman standing over our bed and the same night you may still be awake filming at 1 or 2am. It was exhausting so people were very sensitive. I recall many of us falling ill with a terrible flu and working through it as best we could. I took everything lightly but some people took the entire situation very seriously.

-You were mostly paired with the designer Logan Neitzel. Have you worked together after the show?

-No. Unfortunately I haven’t seen Logan since the premiere of the show as we live 1000’s of miles apart.

-You're a Mom and a model. Is it easy to combine Motherhood with modeling?

-It is no easier or more difficult than being a Mom with any job. Every working Mom has a lot to juggle. The struggle between wanting to be home with your babies 24/7, managing a home and the need to work can be tough on everyone. Some days are easier than others but I am fortunate to have a very loving and supportive family who help when needed. It requires a huge amount of planning and patience.

Kojii Helnwein by Lily Flores

Kojii Helnwein by Lily Flores

-It is said that kids usually take after their parents. Do you imagine your daughters being models? As a model, would you advise them to take this profession?

-My kids have all done a small amount of modeling. They are often offered modeling work but I let them decide for themselves and usually they turn it down. It doesn't interest them unless it’s a fun shoot with the whole family or for an artist they know well.

In saying that, they are very talented and beautiful children and take to modeling naturally but I don’t wish for them to enter the world of fashion.

I prefer that they don’t have their attention on their physical looks; I teach them that their creativity and intelligence is more important. My eldest daughter is 10 years old and has started her first business. She sells plush toys that she makes from recycled materials to people all over the world via her website www.croitures.com. My youngest daughter loves to compose songs and dance and our son aspires to build things with wood, play drums and sports.

Kojii Helnwein by Reid Rolls

Kojii Helnwein by Reid Rolls

-It is known, that models usually have a lot of difficulties…

-I had a very positive experience when I modeled and I think this is because it wasn’t my dream job. If I did not book a modeling job, I was still happy as I had my art, my acting and my music. Modeling was just the day job that paid the bills. My world, my happiness and confidence were not invested in wanting to be a famous or successful model.

Any success I had with modeling was a fruitful bonus in my eyes.

-What do you work at in this moment?

Currently I am working as an actress in Europe. I have a couple of movies in film festivals around the world and recently had the happy surprise of winning a Best Actress Award at a film festival in Canada.

-Your advice to all the beginning models.

Be yourself, stay in school. Go to college and hone your other talents and interests. Your personality, intelligence, integrity and creativity will be far more distinguishing qualities than appearance alone. Also, be interestED in the people around you rather than trying to be “interestING”.

-Kojii, did you know anything about Armenia before we did this interview?

-Yes. I have met some lovely people from Armenia throughout my career.

 

Syune Arakelyan

 

Photographers: Brendan Morrissey, Reid Rolls and Lily Flores

Radha Review

A million "Thank You's" to Joseph Perry over at Gruesome Magazine for the very kind review of "Radha".

 

“Radha” (2016): Poetic Horror Short Offers Otherworldly Uneasiness

 ORIGINAL ARTICLE HERE January 28, 2017Joseph Perry

Irish supernatural short Radha is a meditative piece dealing with grief, the search for identity, and the power of transformation through art. Its horror is not graphic or intense; rather, it comes off as a quiet eeriness that pervades the film, offering a chance of hope along with its sense of dread.

Saoirse (Sue Walsh) is a young woman trying to put some troubling incidents behind her as she moves to a new city, using a new name. The past isn’t so easy to escape, she finds, as someone she knows recognizes her at a party and tries to confront her. Saoirse wanders the town a bit, stumbling across a club with a decidedly unusual looking clientele. The audience watches a dancer (Kojii Helnwein as the titular character) in one of the film’s centerpieces, a tightly edited performance piece set to a hypnotic rhythm.

Saoirse (Sue Walsh) tries to escape painful memories in Nicolas Courdouan’s atmospheric horror short Radha.

Saoirse is mesmerized by Radha, though the dancer’s audience members put her off. Radha is a mysterious, alluring presence who invites Saoirse to go to bed with her after some awkward conversation. I will leave the rest of the night’s surprises to viewers to discover for themselves.

Writer/director Nicolas Courdouan has crafted an enigmatic but wholly accessible short that offers up unease and a sense of otherworldliness. He slowly unlocks the secrets of Saoirse’s past while not giving away too much about Radha, and that works well on both counts.

Kojii Helnwein plays the mysterious, seductive title character Radha.

Kojii Helnwein plays the mysterious, seductive title character Radha.

Sue Walsh gives an impactful turn as Saoirse, inhabiting her character with a sense that something is bubbling just under the surface that she refuses to let out. Kojii Helnwein is marvelous as Radha; she gives off a pitch-perfect air of the preternatural and inscrutable, with an underlying sense of menace. Helnwein brings to Radha a commanding presence, making the character as equally captivating in the unconventional dance scene as she is merely sitting and talking. Tess Masero Brioso’s cinematography is splendid, and Colin McKenna’s score works wonderfully with Simon Murphy’s sound design, as the sounds of nature gives way to driving beats and spooky music before returning again.

Radha is currently on the film festival circuit and has been picking up awards along the way. Nicolas Courdouan’s eerie, thought-provoking short is one to watch for when it heads your way.

Radha:  (3.5 stars / 5)

 

 

Kingswood's Kojii...

Kingswood's Kojii Helnwein - star of the screen and stage

By Aideen O'Flaherty

From working as a stage manager in theatres throughout Ireland to securing lucrative modelling contracts and being the frontwoman of her eponymous band, Kojii Helnwein has always been passionate about working in the creative industries.

Growing up in Kingswood in Tallaght, Kojii was always surrounded by music as a result of her father Enda Wyatt songwriting and playing bass in the rock band An Emotional Fish, but now Kojii indulges in a variety of creative pursuits: acting, modelling, making music and photography are just some of her talents.

Married to the artist Cyril Helnwein, Kojii lives in a castle in Tipperary with their three children and divides her time between Los Angeles and Ireland.

Your dad is a musician, so music has always been around you from a young age. Was there a particular moment when you realised you wanted to be a musician too?

I don't recall any one moment, music was like language in our house when I was a kid. In primary school I’d come home to find my Dad in his home studio recording music. He'd stand me up in front of the microphone and let me sing whatever came into my mind.

There are countless tapes of 4-year-old me rambling on about clouds and dragons. I do recall being incredibly impressed by the work that went into being a musician.

The constant practice, the writing, rehearsals, the recording, it all fascinated me. I loved shadowing my Dad when he worked, I would hang out at the Factory Studios back in the day and listen to U2 jam in one rehearsal room and my dad in another.

I was hooked the first time I saw the band on stage and saw thousands of people singing along to songs that I saw the band write. The energy from that crowd was electrifying and I was hooked!

You worked as a stage manager in theatres and also a Parisian circus before you started modelling, what was that experience like?

I enjoyed working in theatre. I studied technical stage training in Tallaght and fell straight into working freelance. I was very lucky and worked non-stop for years in some great venues around Ireland.

I had the pleasure of working on opera festivals in the Gaiety, I toured with Des Bishop on a rap musical, worked the Cat Laughs Comedy festival and so much more.

It was a wild and creative ride but the hours were long, the pay was low and the work was hard. I worked 18-20 hour days and I was on the road a lot.

When I discovered modelling paid more than a week’s wage in just one day I was happy to leave the stage management behind.

How did your work as a stage manager lead into your career in modelling?

Through my work at the Cat Laughs Comedy Festival one year I met the best friend of a famous American comedian and we started dating.

I moved to LA with him and everyone we met assumed I was a model, they were shocked to learn that I wore a tool belt and combats to work instead.

When I returned to Ireland after a few months, I discovered someone had mailed my photos to a top modelling agency in Dublin. I still have no clue who sent them in.

I was home from LA for only a few hours when the agency called to set up a meeting. The next day I was on the runway for John Rocha and was booked solid for the following year thanks to everyone I met at that show.

You've starred in loads of TV commercials and even appeared on Project Runway, what is it like to see yourself on TV?

I don't enjoy seeing myself on TV. I am super critical of my work and see nothing but the points I need to work on.

However, there have been those rare moments where I see a character in a film and realise “Oh wait! That's me! Completely immersed in character.”

Those are the moments I live for. Commercials are fun and easy to shoot though. Just yesterday my daughter jumped up in the cinema during the previews and announced “Mom!!That's you!,” I sank into my seat in mortification but I was also elated to see how proud my little girl is of me.

As for Project Runway, I have yet to see a single episode. I had never seen the show before I took the job and quickly realised that it's not my cup of tea.

 

More recently you've been doing some acting work, how does this compare to being on stage as a musician?

It's a totally different rush. There's an immediate connection with the audience when I'm on stage with my band so I know if we’re doing a good job or not.

I’ve also been making music a lot longer than I’ve been acting so I’m more comfortable with winging it when the crowd want something different.

With film, I have to trust myself and work hard to nail it. It's more challenging to be someone else and delve into their world.

You recently displayed some of your photography at an exhibition for photographers in Tipperary, are there any plans to have a full solo exhibition of your work?

That was a fun show, it was a group exhibit that showcased work from artists based in Tipperary. Photography is more of a hobby for me.

I love film photography and old cameras so when I have some of that rare free time I’ll sneak away with one of my cameras.

The work I recently showed was from a series called ‘Ophelia’ that I photographed while I was working on the role of Ophelia in a feature film of Hamlet.

I used the series to help me capture what the character was going through and to process the role. I never expected to exhibit these photos but the support from my family was the push I needed.

There's talk of a solo show in Dublin next year but no date set in stone yet.

You divide your time between Ireland and LA, what do you think are the biggest differences in pursuing creative work in the US and here?

There are many differences between the work here and in LA, namely the volume and scale of work plus the money. There is so much work out there.

In LA a company might spend millions of dollars shooting a commercial only to shelve the end product and never air it. The work in Ireland may be of a much smaller scale but the quality and creativity in here is stellar.

We have amazing filmmakers here who are pushing some serious boundaries.

You're married to the artist Cyril Helnwein, do you get to collaborate with each other much when working or do you prefer to work separately?

Cyril and I met through our work when I modelled for his ‘Ethereal’ series and I've posed for him a few times since then, but these days we work separately. In saying that, we’re very supportive of each other and always help out as much as possible.

If you had to pick one career out of acting, modelling, writing music and photography, which one would you pick and why?

Acting. It's the one job I have that will eventually allow me to partake in all my interests. In one role I might be a musician, another a photographer, another role I might be a homely mother.

It’s also the most challenging, it forces you to really study people and what drives us.

The process of developing a character is incredible and can open you up to ways of thinking that you may never consider when you're living everyday life as yourself.

I’ve always been pretty empathic and have the ability to see life from the perspective of others, to be able to channel that for work is phenomenal.

What advice would you give to someone who wants to pursue a career in the creative industries?

Be prepared for the business side of art, it’s not all creative. There are taxes, contracts and all sorts of administrative issues that you need to be prepared to handle yourself.

Hire someone you trust to do it, but always be sure you understand what they do for you. I see too many artists scraping the poverty line because they let the business swallow them whole.

Lastly, what is it really like to live in a castle?

It's a magical life. Our kids are living the dream - they have gardens, forest, animals, culture, history and art in their daily lives.

They climb trees, run free with their dogs and imagine amazing adventures with dragons and fairies.

I’m incredibly fortunate and grateful to have this life, it's a far cry from where I came from. As magical as it is though, I'm a city girl.

It took a long time for me to get used to life in the countryside and the slower pace. A castle is a lot of work though, an old building like that requires a lot of upkeep and you can't just run to IKEA for a quick fix.

Sometimes random tourists wander into the garden as they think it's a public place. I often joke that we should charge them €20 and hand them a sweeping brush, a mop and some furniture polish so they can take the ‘Real Life in a Castle’ tour!

You can find out more about Kojii at kojiihelnwein.com, and follow her on Twitter and Instagram at @kojiihelnwein.

The Gloss Mag

I recently had the pleasure of chatting with Sarah Breen, writer at The Gloss Magazine, about family, work, love, life and our nomadic ways alongside the wonderful Chloe Arnold who shared her a bit about her own wonderful life. 

The article featured some gorgeous images from our family shoot with Sandals & Greenhouse   a company who specialize in top quality family portraits that capture the unique magic between you and your loved ones. 

 

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"The Helnwein's will see you now" in The New York Times

By NICHOLAS HARAMIS Photographs by Kenneth O'Halloran

They’re creepy and they’re kooky, mysterious and spooky. Meet the Helnweins.

February rains flooded the gravel road to Gurteen Castle, a 40-room fortress built in 1866 for Pope Pius IX’s chamberlain. Throughout the Republic of Ireland, stories about power outages dominated the evening news, but the Austrian artist Gottfried Helnwein and his wife, Renate, their four children and three of their grandchildren were oblivious to the storm. Gottfried, in a skull-print bandanna and black sunglasses, spoke about the spirit of a jealous woman who tormented the burlesque dancer Dita Von Teese on her wedding day (she married Gottfried’s friend Marilyn Manson there in 2005 in a ceremony officiated by the surrealist filmmaker Alejandro Jodorowsky). Von Teese was nearly ready to walk down the aisle when the ceiling above her vanity came crashing down, narrowly missing her and her maid of honor.

The New York Times Magazine 2014, International Edition, Holiday

February rains flooded the gravel road to Gurteen Castle, a 40-room fortress built in 1866 for Pope Pius IX’s chamberlain. Throughout the Republic of Ireland, stories about power outages dominated the evening news, but the Austrian artist Gottfried Helnwein and his wife, Renate, their four children and three of their grandchildren were oblivious to the storm. In the castle’s dining room, under the flickering glow of candlelight, they were singing along to a spirited rendition of “Nell Flaherty’s Drake,” a bouncy 19th-century Irish folk song that had them merrily rhyming “astray” and “gray.” Although most of the Helnweins were born in Germany or Austria, they’ve come to think of Kilsheelan, a town of roughly 500 people in County Tipperary, as home. Renate is a regular presence in town — as familiar as the local police officer, whose house doubles as the police station, and the weary gravedigger, who lives in a home without running water — while Gottfried, when he’s not singing about ducks, tends to roughly 30 of them in his backyard.

The animals are, for him, more than pets. As a young boy growing up in the shadow of the Holocaust, one in particular gave him hope. “Donald Duck was a cultural atomic bomb for my generation,” he said. “In America, this complete loser had to compete with superheroes, but us Nazi kids could identify much better with Donald. He was very important to me. He actually saved my life.”

Gottfried, who was born in 1948, left Vienna nearly three decades ago, and yet the city’s battle-scarred history is still as much a character as the otherworldly children, Nazi officers and burn victims depicted in his photographs and paintings. Raised by severe Roman Catholic parents, he has described his upbringing as “oppressive,” “dark” and “colorless.” At 18, he moved away from home and into a rented attic where he began his lifelong investigation into “the idea of purity interrupted, destroyed, harmed, raped.” He studied at the city’s Academy of Fine Arts — the same school that turned away a young Adolf Hitler — where he once set off paint bombs on campus that he and his friends made by attaching paint shells to fireworks.

In his 20s, Gottfried immersed himself in coffeehouse culture, experimented with drugs (a particularly bad LSD trip “took years of absolute, never-ending fear to get over”) and watched as the death of Nazism gave way to Maoism and the revival of Trotskyism and Spartacism. Like the Viennese Actionists of the 1960s, he’d slice his arms with surgical knives in the name of performance. One of his first exhibitions, at the city’s Gallery of the House of the Press in 1972, caused such outrage among the journalists who worked in the building that the gallerist shut it down after just three days. His art has since been confiscated by police, labeled with “entartete Kunst” stickers (German for “degenerate art,” the term used by Nazis to describe most examples of modernism) and destroyed by protesters. “Everybody hated me, which I liked,” he said. “As an outcast, you have nothing to lose.”

From left: Gottfried in his studio; his "Epiphany I (Adoration of the Magi)," 1996, reinterprets the nativity scene with Waffen-SS officers admiring Adolf Hitler as a baby

Renate first became aware of her husband while working as a nurse at a German asylum in the 1970s. A local paper had written about a show of his and published a photo of one of his bandaged-child paintings. She was reminded of the treatments, what she described as the “horrors,” she’d seen conducted in the hospital — “really bad, really invasive stuff. Finally, I thought, someone gets it.” She hitchhiked to Vienna, found Gottfried, and they’ve been together ever since. In 1985, they moved to Germany, and then, about a decade later, decamped to Ireland.

While Calvin, a family friend with a ponytail and a stutter, passed around plates of pasta and garlic bread, Renate shared stories about the castle’s many hauntings. Gottfried, in a skull-print bandanna and black sunglasses, spoke about the spirit of a jealous woman who tormented the burlesque dancer Dita Von Teese on her wedding day (she married Gottfried’s friend Marilyn Manson there in 2005 in a ceremony officiated by the surrealist filmmaker Alejandro Jodorowsky). Von Teese was nearly ready to walk down the aisle when the ceiling above her vanity came crashing down, narrowly missing her and her maid of honor. “That should have been a sign,” Gottfried scoffed. Others gleefully recalled doors unexpectedly swinging open and phantom arms grasping at their legs.

The Helnweins know how similar they are to the fictional Addams Family, and they seem happy to indulge the comparison. ” ‘Weird’ is the best way to describe things that I like,” said Gottfried’s daughter, Mercedes. “Weird and desolate.” Her father, meanwhile, often smiled while saying things like, “The dark side of humanity is so dark that nobody can really confront it. That’s why Dante came up with nine circles of hell.” The walls of their home are covered with Gottfried’s photographs of Manson, watercolors he painted of his children with metal clamps in their mouths and “Epiphany I (Adoration of the Magi),” an oil painting that reimagines the nativity scene with Adolf Hitler and SS agents. Errant skulls, decapitated dolls and snakes in jars of formaldehyde occupy dark corners.

From left: the neo-Gothic facade of Gurteen Castle, originally built for Count Edmond de la Poer; in front of a French 18th-century tapestry, a marble statue of Dante Alighieri presides over Gottfried’s collection of pharmaceutical and alchemical artifacts 2014, Kenneth O Halloran

All four Helnwein children share their parents’ gothic spirit. The eldest, 37-year-old Cyril, lives in the castle with his model-musician wife and their three children. He assists Gottfried six days a week and is also a photographer in his own right (he met his wife when she posed for his “Ethereal” series). His latest body of work includes crass visual puns such as “Feelin’ Horny,” which features a nude model with antlers mounted on the wall behind her head. Mercedes, a 35-year-old writer, painter and filmmaker with red hair and the palest skin, now lives in Los Angeles, where she makes darkly sexy oil pastels from photographs she buys online. Ali, 32, is a violinist and Grammy- and Emmy-winning composer who also lives in L.A., where he has founded a chamber orchestra and scores independent films. The youngest, 27-year-old Wolfgang Amadeus (who goes by his middle name), writes sparse prose inspired by Elizabeth Bishop, Raymond Chandler and Sylvia Plath.

“We’re not the Kardashians or the Hiltons,” said Cyril, who recalls being bandaged, his face smeared with fake blood, while modeling for his father. “But for me, it was an everyday thing. Kids play dress-up. This was just a different kind.” Mercedes added drily, “We’ve never been particularly cheerful.” Despite having spent time in the company of Gottfried’s famous friends and collaborators — including Muhammad Ali, Keith Haring, Michael Jackson, Sean Penn, Lou Reed, Andy Warhol, William S. Burroughs and Charles Bukowski (who, after meeting the Helnwein clan, gave them one of his books signed with the words “Thanks for the strange evening”) — they said their lives have felt rather normal. “We just didn’t know any different,” Cyril said. “I think children have this innate artistic ability that’s kind of hammered out of them over time. We never had it hammered out of us.” Today, a new generation of Helnweins are posing for Gottfried and making their own paintings in his light-filled home studio.

Gottfried’s grandchildren aren’t the only ones who seem increasingly comfortable with his work. Last year, he opened his largest retrospective to date at Vienna’s Albertina Museum — a place normally “reserved for Rembrandts,” he said — and, to his surprise, it was among the most successful shows of a living artist ever staged there. He’s now thinking about renting a studio to make art in the city he vowed never to return to. It would be a big move for Gottfried, who has grown quite fond of pastoral Ireland. “It’s my home,” he said. “It’s where I belong.”

After the dinner table had been cleared, Renate suggested we go for a quick drink at Nagles, a roadside bed-and-breakfast about a mile down the road. But Gottfried was tired. “Maybe another night,” he said, before retiring to his room with Renate. Cyril, too, excused himself to put his kids to bed. But Ali, Amadeus and Mercedes had other plans. While Ali and Mercedes finished the song they’d been slowly playing at the piano, Amadeus pulled out three elaborate masks, handmade from cardboard and painted to look like nightmarish creatures with sharp teeth and beady eyes. It was time for a stroll.

THE NEW YORK TIMES

The artist Gottfried Helnwein with his wife, Renate, and their four children, from left, Cyril, Wolfgang Amadeus, Ali (sitting) and Mercedes in the library of the 19th-century Gurteen Castle. In the background, a painting from Gottfried’s “The Disasters of War” series 2014, Kenneth O Halloran

 

Source: http://www.helnwein.com/press/internationa...